IIt’s been a while since a major summer blockbuster was based on a bestselling novel for adults, where the characters are accused of murder, face off in heated courtrooms, and sometimes have sex. Nostalgia for this more seasonal, less fanciful brand of hot-weather movie powers where the crowdads singDelia is based on Owens’ 2018 book, but that can’t compensate for where the film falls short.
Potboiler’s premise is theoretically irresistible: Will (Daisy Edgar-Jones), a young woman living on her own in a North Carolina marsh, is sent to prison by local authorities over the murder of local man Chase Andrews (Harris Dickinson). is accused of. Her good-natured lawyer (David Strathearn) tries to extract some information from her, and Kaya’s personal history is filled with flashbacks. We witness her turbulent and abused childhood, and experience her stubbornly ostracized status as the resourceful sole resident of her swamp shack. It’s part survivalist romance, part murder mystery.
Maybe in the book, Kaya comes across as more wild, more potentially dangerous. In the film, she’s basically Hot Nails, a revamped version of the 1994 Jodie Foster Oscar-bait character who, in this statement, learned to apply lipstick neatly and the perfect fit to her cutoff jeans and flowy top. sits. Her talent is considered to be in observing and photographing the plants and animals around her, but her real claim to fame is to invent and master ‘marsh chic’. This contrast powers the film’s biggest spectacle—its core elements collide with each other at odd angles. Director Olivia Newman, soundtracked by Taylor Swift’s mournful original song “Carolina,” stars Kya as a supernatural beauty, while the script wants us to see her only as a misbehaving swamp creature. It is not impossible to reconcile these disparate views, but it is a daunting task for anyone watching.
Edgar-Jones is compelling, and in a more definitive (or less delicious) thriller, the film’s sexiness could be delightful. But instead of creating suspense by tightening the screws on what, where the crowdads sing Presenting the case with almost no solid evidence, it adopts a startlingly opposite tactic – though that doesn’t deter court observers from grumbling almost relentlessly over all the alleged bombings. It is eventually suggested that the prosecution proceed as townspeople hate and fear what for no good reason, which, frankly, may not be the most productive thematic throughline for a white girl whose story is partially during the civil rights movement in the United States. , Naturally, a black couple is present in town primarily to help and care for what.
where the crowdads sing Often laughable, but Newman doesn’t deliver the material that could complete his transformation into a trashy classic. Like its heroine, it is too clingy to embrace her inner wildness—a typical naturalist who insists on covering up.
- the director: Olivia Newman
- Starring: Daisy Edgar-Jones, Taylor John Smith, Harris Dickinson
- Release Date: 22 July